Finals are here!!! 5/21-23

Schedule:
  1. Feedback Form
  2. Last students' presentations
  3. Final Poetry Test on Focus

Wednesday
P. 2                   P.3
William C.        Shannon
William Z         Justin H.
James Z.           Dana
Alex                 Briana
                         Liz 

Thursday
P.4
Brandon & Michael
Karina
D'Shawn
Yandeleyan
Abbie

Friday
P. 6                    P.7
Arielle               Max
Kyle                  Chuy
Haley                Chris     
Kameron           Ana


            




Tuesday 5/20: Presentations & Test Review

Today's Presentations:
P.2
Alex
Mairin

P.3
Celeste
Matt

P.4
Jason
Amy
Dom
 
P.6
Robert
Colby
Sean

P.7 
Peter
Rachel
Andrew

Monday 5/19 ~ Presentations &Test Review

Reminder: Your final will include...
*Definitions of Poetic Devices. See my Quizlet list here.
*Examples of Poetic Devices. See your pictures of the posters.
*Multiple Choice questions from the articles listed on the webquest on poetry.


Today's Presenters:
P. 2
Ashley
Ada
Qin

P.3
Liz
Austin
Lucas
 

P.4
Sheldon
Christian
Nic

P.6
Sam & Max
Telly
Molly

P.7
Reyna
Kristian
Patrick

 

Block Day 5/15-16 ~ Poem presentations begin!

First, go print your rubric and lyrics/words. See the "Print this rubric!" file in Focus.

Today's Presenters:
P.4                           P.2
Thomas                    Justin                    
Ella                           Mark
Abbie                       Cole
Minh                         Matt
Zach                         Dillon
Cody                        Shealyn
Kimmie                    Juhno
                                Nic
                                Brenden

P.6                           P.3
Justin                        Bella      
Ty                             Spencer     
Sami                         Kathy      
Yolanda                    Melody
Brandon                   Miko
                                 Mason
P.7                           Boris                                
Kasey                       Cameron
Quinn                       Colton
Murray
Juan
Leo
Jade
Ana

Wednesday 5/13 ~ Have you memorized your poem?

Class check in: How is it going with memorizing? Any new tricks to share? Have you thought the tone or interpretation you want to give to your own poem? 

For those who are going tomorrow, be read to answer these two questions: 
1. What inspired the author to write this poem (even if it's you)?
2. Why did you choose to perform this work?

Rubric Criteria #5: EVIDENCE OF UNDERSTANDING

Is it clear that you actually understand your poem? Does your tone match the jokes, the meaning, etc...?
  • You must understand the poem fully. Be attentive to the messages, meanings, allusions, irony, tones of voice, and other nuances in your poem. If your poem has a joke
  • Be sure you know the meaning of every word and line in your poem.

Rubric Criteria #6: OVERALL PERFORMANCE

This category is to evaluate the degree to which the recitation has become more than the sum of its parts.
  • Did you captivate the audience with the language of the poem? 
  • Did you bring the audience to a better understanding of the poem? 
  • Did your physical presence, voice and articulation, and dramatic appropriateness all seem on target and unified to breathe life into the poem? 
  • Did you understand and show mastery of the art of recitation? 

Tuesday 5/13 ~ How will my poem performance be graded?

Opening Questions:
1. How can you tell when a person really means what s/he is saying?
2. When people say a poem is "deep" what do they mean?

Watch:
"Writ on the Steps of Puerto Rican Harlem" by Gregory Corso (Stanley Andrew Jackson
"I Am Waiting" by Lawrence Ferlinghetti (Madison Niermeyer)

HW: Work on memorizing your poem. Make sure you can explain what inspired the poet to write it AND why you chose it.


From the Rubric:

Rubric Criteria #3: DRAMATIC APPROPRIATENESS

Recitation is about conveying a poem’s sense with its language. It is closer to the art of oral interpretation than theatrical performance. (Think storyteller or narrator rather than actor.) A strong performance will rely on a powerful internalization of the poem rather than distracting dramatic gestures. You represent the poem’s voice, not a character’s. You must subtly enhance the understanding and enjoyment of the poem without overshadowing the language.

Tips:

  • Do not act out the poem. Too much dramatization distracts from the language of the poem. Movement or accents must not detract from the poem’s voice.
  • You are the vessel of your poem. Have confidence that your poem is strong enough to communicate without a physical illustration. Let the words of the poem do the work.
  • Depending on the poem, occasional gestures may be appropriate, but the line between appropriate and overdone is a thin one. When uncertain, leave them out.
  • Avoid monotone delivery. However, too much enthusiasm can make your performance seem insincere.

Qualities of a strong recitation:

The dramatization subtly underscores the meaning of the poem without becoming the focal point. The style of delivery is more about oral interpretation than dramatic enactment. A low score in this category will result from recitations that have affected character voices and accents, inappropriate tone and inflection, singing, distracting and excessive gestures, or unnecessary emoting.

Rubric Criteria #4: LEVEL OF COMPLEXITY

A poem with complex content conveys difficult, sophisticated ideas, that are challenging to comprehend and express. A poem with complex language will have intricate diction and syntax, meter and rhyme scheme, and shifts in tone or mood. Poem length is also considered in complexity. Please keep in mind that longer poems are not necessarily more difficult. Poems with significantly challenging content and language may not need length to score well.

Tips:

  • For competitions beyond the classroom level, select poems of various styles, time periods, themes, and tones. Diversity of poem selection will allow judges to see your mastery of various elements of complexity.
  • Make sure each poem you choose is one that speaks to you. If you are able to connect with a poem, that internalization will ripple positively throughout all of your scores.

Monday 5/12 ~ How will my poem performance be graded?

Warm-up Brainstorm Discussion: How do you know a speaker is nervous? What do you do when you are nervous in a performance? 


Our rubric is taken from the National Recitation Poetry Contest called Poetry Out Loud.
Click here to see all rubric criteria explained and demonstrated in videos. 

 

Rubric Criteria 1: PHYSICAL PRESENCE 

Eye contact, body language, and poise.

Tips:

  • Present yourself well and be attentive. Use good posture. Look confident.
  • Use eye contact with the entire audience. Don’t focus solely on the judges.
  • Nervous gestures, poor eye contact with the audience, and lack of poise or confidence will detract from your presence.
  • Relax and be natural. Enjoy your poem—the judges will notice. 

Qualities of a strong recitation:

Ease and comfort with the audience. Engagement with the audience through physical presence, including appropriate body language, confidence, and eye contact—without appearing artificial.




Rubric Criteria 2: VOICE AND ARTICULATION

Volume, pace, rhythm, intonation, and proper pronunciation.

Tips:

  • Project to the audience. Capture the attention of everyone, including the people in the back row. However, don’t mistake yelling for good projection.
  • Proceed at a fitting and natural pace. Avoid nervously rushing through the poem. Do not speak so slowly that the language sounds unnatural or awkward.
  • With rhymed poems or songs, be careful not to recite in a sing-song manner.
  • Make sure you know how to pronounce every word in your poem. Articulate.
  • Line breaks are a defining feature of poetry. Decide whether a break requires a pause and, if so, how long to pause.

Qualities of a strong recitation:

All words pronounced correctly, and the volume, rhythm, and intonation greatly enhance the recitation. Pacing appropriate to the poem.


Amiri Baraka
Do you think the Black Arts Movement was about more than just African-American people?
Click here to view the video.

1. Grade the G.O.S.P.E.L. poem.
2. View the Final document. Find your 20-line poem by Monday!
3. Make sure your timeline has your name(s) on it.
4. Finish Timelines!

Wednesday 5/7 ~ Would you consider Allen Ginsberg's poem, "Howl" to be obscene enough to take him to court?






Would you consider Allen Ginsberg's poem, "Howl" to be obscene?


Today, we continue working on our Poetry Timeline.
Reminder: Bring your G.O.S.P.E.L. highlights tomorrow.

HW: nope.

Tuesday 5/6 ~ How can the art of poetry fuel a movement?

Warm-up Discussion: Watch the video "Knock, Knock" by Daniel Beaty

*What makes this slam such an incredible presentation? 
*How can the art of poetry fuel a movement against oppression?   

Note: Please bring your highlights of the G.O.S.P.E.L. lyrics tomorrow. We will grade them in class.

Today, we will explore the way poets in recent history have influenced the U.S. You will explore how the most recent movements of literary art are related via these four stages: The Beat poets (1940s-1950s), the Black Arts Movement (1970s-1980s) leading into the Hip Hop and Slam poets of recent years. We will use the links from this webquest http://slampoetrywebquest.weebly.com/index.html.

The Beat Poets

Black Arts Movement

Hip Hop
 
and Slam Poetry Movement
 
Changed Directions for the Webquest:
  1. Use the links in the process page to find information on the three time periods above.
  2. You will need to create a timeline. I suggest using the "Timeline Eons" app (free) or you could use  Timeglider.com or tiki-toki.com (both are free websites). A prezi would work too. You must create a graphic Timeline to get an A. Timelines created in Notability are probably more in the B or C range. 
  3. This is a 50 point assignment covering the last bit of info on your final. To get full credit you must have at least 25 bullet points on the timeline with at least 5 images. The quality of your work will be graded using the rubric on the "Evaluation" Tab of the webquest.
  4. The slam poem at the end of the webquest is optional (only do it if you want to use it for your final).
  5. Due at the end of Block Day.

HW: Find or write a 20-line poem to recite for your final. Feel free to look at the Final Rubric and Directions sheet on Focus. You must decide on your poem and submit the lyrics/words by Monday 5/12.






3 Types of Irony: 
Verbal Irony: When the author or character says one thing and means something else.
Dramatic Irony: When the audience knows something that the characters don't
Situational Irony: When there is a discrepancy between what you would expect from what is reality.

Can you tell which type of irony is displayed in each image below?
 





Today we will take the STAR test.

If you finish early, continue your search for a 20 line poem that you would like to memorize for the final.